Scholars Who Write Romance

If the shoe fits…

I’m currently reading Eloisa James’ latest book, “A Kiss at Midnight,” sort of a retelling of Cinderella.

So far, I am enjoying this saucy incarnation of a Cinderella who is no door mat. As a girl listening to the fairy tale, I always wished poor Cindy would show some backbone and give her evil stepmother a good kick in the shins.

Reading the book got me thinking about James’ other job as a literature professor at Fordham University. And did you know that best-selling author Julia Quinn went to Harvard? That’s right. Harvard.

We’re obviously dealing with some extremely intelligent women which is not always the image people have of romance writers. 

Check out this 2009 article from USA Today entitled, “Scholarly Writers Empower the Romance Genre.”

How Much Can Romance Writers Earn?

 

An agent with a well-known agency said recently that it is not unusual for a first-time romance author to get a $2,500 advance. Sometimes, she added, that advance can be upped to $5,000 or $10,000 (not including royalties).

Another romance author tells me she received a $7,000 advance for the first book, $8,000 for the second and $9,000 for the third title in a three-book deal with a major publisher.

Another signed a multi-book deal, with a mid-sized, up-and-coming publisher, which included a $2,000 advance per title.

For more detailed numbers, including royalties, check out this candid discussion of earnings from cozy mystery writer Ellery Adams.

To learn more about advances from the specific publishing houses, click here.

Of course, some of the biggest stars in the genre do very well. Here’s a look at some recent deals which show a range of advances:

NYT bestselling author Madeline Hunter’s next four historical romances, to Wendy McCurdy at Berkley, in a major deal ($500,000 and up) by Pam Hopkins at Hopkins Literary Associates

#1 NYT bestselling author Julia Quinn’s three novels, to Lyssa Keusch at Harper, in a major deal ($500,000 and up), by Steven Axelrod of The Axelrod Agency

RITA-award winning author of Not Quite A Husband, Sherry Thomas’s next three Victorian/Edwardian historical romances, moving to Wendy McCurdy at Berkley, in a good deal ($100,000 – $250,000), by Kristin Nelson at Nelson Literary Agency

NYT bestselling author Suzanne Brockmann’s FUTURE PERFECT, to Shauna Summers at Ballantine, in a good deal ($100,000 – $250,000), by Steven Axelrod at The Axelrod Agency.

NYT and USA Today bestseller Sarah MacLean’s next four Regency romances, to Carrie Feron at Avon, in a significant deal ($251,000 – $499,000), by Alyssa Eisner Henkin at Trident Media Group

2010 RITA nominee for The Virgin’s Daughters Jeane Westin’s THE QUEEN’S LADY SPY, to Ellen Edwards at NAL, in a nice deal ($1 – $49,000), by Danielle Egan-Miller at Browne & Miller Literary Associates.
 
Tracy Madison’s three holiday books, to Gail Chasan at Silhouette Special Edition, in a nice deal ($1 – $49,000), by Michelle Grajkowski at 3 Seas Literary Agency.

Interesting, no?

A Day with Literary Agent Nephele Tempest

I just met my first real live agent in the flesh, Nephele Tempest of The Knight Agency. Nephele’s workshop was presented by the Washington Romance Writers. She was warm and approachable and did not seem to mind at all when people walked up to ask questions after her talk.

Nephele gave an extremely informative presentation on a number of topics including how to write a synopsis and finding the agent that’s right for you. Nephele also gave us some insight into the mood of editors these days. Since I think others will find it as interesting as I did, here goes:

  • Paranormal is still big but some editors are starting to say they don’t want to see any more vampires, werewolves or shapeshifters
  • Historicals are picking up (mostly Regencies)
  • Funny contemporary romances are not selling terribly well
  • Women’s fiction that does not sound like Chick lit (focusing more on a woman’s journey) is selling
  • Erotica still sells but has slowed down and is not moving as briskly as it once was
  •  Escapist anything is very popular
  • Young Adult is huge right now

 Nephele’s personal take is that there are not enough books on the market right now geared to high school-aged boys.